What Is Hip-Hop Anyway?
AND WHY ARE WE FIGHTING SO
HARD TO SAVE HER?
Sure there are about as many perspectives about what it
means to be Hip-Hop as there are people who claim allegiance, trying to
identify what is real vs fake hip-hop is even more difficult. Every time I ask the question, I get a
different response. What does it mean to identify yourself as “HIP-HOP”? How
exactly does one become Hip-Hop? Are
you initiated into it? Are you born in
or sworn in? Do you pledge, take an oath, make a commitment, do you sacrifice
anything? Does anyone vouch for you, sponsor you, do you need references? Is it
exclusive? Are these questions
rhetorical?
Some say it’s a movement, a culture, a way of life. The definition often falls along
generational, or commercial lines. How
old you are is generally reflected in how you view hip-hop. Gen X’ers who grew
up on Soul & RnB have a vastly different view of hip-hop because they
witnessed her birth, and watched her evolve. A young adult or teenager today
cannot fathom a pre hip-hop world, and their definition and perspectives of
this middle aged culture sometimes falls short of depth and substance, and if
often viewed simply as a music genre, or a street culture. Does anyone really
know what hip-hop is anymore? Is there a definitive answer?
It’s not enough to get confirmation from web inquiries and
unscientific polls. I really want to get to the bottom of this question because
I believe the conversations about hip-hop are compromised if those having the
conversations cant even agree on what it means to be HIP-HOP.
So, let’s take it back a step. I wondered how the pioneers define hip-hop. Those who were there
and started this phenomenon… What does hip-hop mean to them? How do they explain it? In a 1989 Davey D interview (later published
on his site www.daveyd.com/interviewbambaataa96.html),
he asks Afrika Bambaataa how he defined hip-hop. Bambaataa explained:

That makes sense! Okay now we have a definition from a
person who was there, who had a hand in it, and is respected for the role he
has played in the culture.
With the ammunition of a better definition, I now wonder
how do we identify something as hip-hop?
What does real hip-hop look like?
How can I spot a fraud? Or is there such a thing? If a person dresses hip-hop and also raps,
does that validate them as authentic? It’s very subjective, especially with no
solid criteria to judge.
I recently spotted a viral photo of Lauryn Hill, Trina,
and Nicki Minaj that suggested Lauryn
was Hip-Hop, Trina was Rap, and Nicki was Pop…
hmmm, ookaaay… I see where they were going with this, but my first
question was, why use 3 female rappers for this viral photo? It seems divisive
to me, as they aren’t the ones supposedly killing the game are they? But anyway
I digress and move on… They are all rappers! “Rapping” is what Emcees do
in Hip-Hop. Nowadays the rap music
genre has gone so mainstream it’s considered very popular music, so yes, Nicki
M would certainly be pop. But does that
mean she isn’t Hip-Hop?
There’s a wonderful document called the Hip-Hop
declaration of Peace (http://www.declaration-of-peace.com).
It was presented to the United Nations Organization on May 16th 2001, signed by
Temple Of Hip Hop, Ribbons International, UNESCO and 300 Hip-Hop activists,
pioneers and UN delegates. KRS One, Pop Master Fabel, Afrika Bambaataa, Ralph
Mc Daniels and Harry Allen were some of the people who helped create this
declaration. On the website it states this document recognizes Hip-Hop as an
international culture of peace and prosperity. It is also a set of principles,
which advise all Hip-Hoppers on how to sustain the peaceful character
of Hip Hop Kulture and to form worldwide peace.
Here’s the first Principle (there are 18 of them):
Hiphop (Hip'Hop) is a term that describes our
independent collective consciousness. Ever growing, it is commonly expressed
through such elements as Breakin, Emceein, Graffiti Art, Deejayin, Beatboxin,
Street Fashion, Street Language, Street Knowledge and Street
Entrepreneurialism. Wherever and whenever these and future elements and
expressions of Hiphop Kulture manifest; this Hiphop Declaration of Peace shall
advise the use and interpretation of such elements, expressions and lifestyle.
And the fouth:
Hiphop is a term that describes our independent
collective consciousness. As a conscious way of life, we acknowledge our
influence on society, especially on children; and we shall forever keep the
rights and welfare of both in mind. Hiphop Kulture encourages womanhood,
manhood, sisterhood, brotherhood, childhood and family. We are conscious not to
bring any intentional disrespect that jeopardizes the dignity and reputation of
our children, elders and ancestors.
After reading, and understanding the full document, I
realized some things. The first and
most important is, if there is no universal definition and authentication of
hip-hop, then what exactly are we using as the basis of our conversations on
the culture. I sometimes sit on hip-hop
themed panels and no one ever even mentions a graff writer or a B-girl. A lot of the conversation about hip-hop are
just commentaries on styles and preferences of Rap music and artists. If we are
to have productive conversations about Hip-Hop, we must agree on what exactly
it is.
From this document I also found something greater - The 18
principles. Wow! Principles in Hip-Hop,
what a novel concept! Imagine if we
really adopted them, demonstrated them, and used them as the guiding light for
our culture. Sure hip-hop would still
be fun and exciting! But maybe it would be less corruptible. Maybe it would
have integrity and young people could depend on it being a true source of hope
and inspiration.
We need some rules in hip-hop. We need direction, instruction, and ways to keep the posers, haters,
and capitalists from further devouring it.
People must know that hip-hop is not theirs to abuse, vilify, and
exploit. Hip-hop has a pulse, a soul,
and an earth shattering heartbeat. We must save her. But we can only do that if we can agree on what she really is. ###
Gotta show love to Awesome AC Wolf & my entire Chi Rock fam... This song takes me back to the essence of the culture, the reason why I am Hip-Hop. Dig it! ;-)
Wonderful piece. To me hip hop is build, destroy, build. When ppl couldn't afford to go to clubs that had jams in the park. When youth full of angst and energy had no way to channel it, they released it through breakin. When talented artists had no venue to showcase their art, the city became their canvas. The poor and young who the world neglected and ignored had no where to turn, rap became their voice. No instruments, so we got records and turntables. At the time it was us being us, but it grew into a worldwide phenomenon, and its still growing. It defies convention and definition. From having nothing it was built, it destroyed everything that came before it, and it built the world we live in today. Does it need rules? Maybe, but it was made to defy the rules. Does it need to be controlled? If it was it wouldn't be HIP HOP.
ReplyDeleteThanks for your feedback Eye650. I love your well-put perspective on hip-hop and its roots. I too see it as that raw energy to transform life into art. And I see hip-hop practitioners as the keepers of that power and the guardians of the culture. We are the ones who are responsible for making sure the integrity (and the essence) of hip-hop stays in tact. We do already have some rules, which can't be broken with regard to the practice of hip-hop. I just have a sinking feeling if we don't enforce the rules, standards, and proper practice, we'll wake up one day and wonder what has happened to the culture we hold so dear. (Some are at that point now.) We've already allowed the media to have so much of a say. They decide who/what is good, or bad, or popular, or most exploited in hip-hop. They have dictated beefs and battles, influenced trends, and marginalized hip-hop to almost only mean 'Rap music'. So when I think of rules, I mean that we hip-hop heads, need to start denouncing some of this manufactured faux hip-hop so that we control our culture. Those who only stand to exploit and profit from her inexhaustible energy shouldn’t define our culture.
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